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Contact Us 20 5. 2. A reading of a classic Larkin poem Philip Larkin completed ‘Mr Bleaney’ in May 1955, and it appeared nine years later in his third major volume of poems, The Whitsun Weddings (1964). The poet virtually being an unmarried man is full of disgust for marriage with the arrival of those people and the poet undergoes mystifying experiences of suffocation. The poem comprises eight stanzas of ten lines, making it one of his longest poems. In the beginning the poet seems to be showing a kind of hatred for marriage or the newly married couples. Both pieces were published in 1964 as a collection of poems collectively titled ‘The Whitsun Weddings’. Shrestha, Roma. 20 5. Similarly, the ceremony of marriage is described here as a religious wounding, meaning that the ceremony would subsequently turn out to be a painful affair. Key elements of the poem are his apostrophe to photography itself and his sudden mourning of the girl in the photographs: But o, photography! Or should this rain be understood in the context of the other life-giving images of abundance and fertility we see towards the close of the poem, such as Larkin’s reference to the postal districts of London being like ‘squares of wheat’? An analysis of the ‘unique’ features in ‘The Whitsun Weddings’ reveal just how much care and thought went into the selection of such details. As with many of Larkin’s poems, the title contains irony, because it contrasts with the text. Pingback: The Best Philip Larkin Poems Everyone Should Read | Interesting Literature, Reblogged this on Writing hints and competitions and commented: The poem, describing a journey from Hull to London on the Whitsun weekend and the wedding parties that Larkin sees climbing aboard the train at each station, is one of Larkin’s longest great poems and one of his most popular. Many of the poems in Philip Larkin's 'The Whitsun Weddings' are concerned with themes or templates such as disillusionment, isolation and the passage of time. In summary, Larkin outlines his departure from Hull and his subsequent train journey on a sunny Saturday on the Whitsun weekend. Thus, Larkin takes a cynical view of marriage. It is partly the enigmatic and ambiguous nature of the images and tone of the poem which make the poem so richly complex, however we prefer to interpret its ‘message’. Once we started, though, We passed them, grinning and pomaded, girls In parodies of fashion, heels and veils, The poem reminds us of W.H.Auden’s “The Night Mail” passing through many locations. Although ‘The Whitsun Weddings’ describes a train journey from Hull to London during the Whitsun weekend (the seventh Sunday after the Easter weekend is Whit Sunday), the inspiration for the poem was a train journey Philip Larkin undertook on the August Bank Holiday weekend between Hull and Loughborough, the midlands town where his mother lived, in 1956. Larkin watches them, and their families left behind on the platform. Many of the poems in Philip Larkin’s ‘The Whitsun Weddings’ are concerned with themes such as disillusionment, isolation and the passage of time. And then we have that final image of the whole poem, which sees Larkin likening the brakes of the train as it pulls into its London terminus to an ‘arrow-shower’ that is already ‘somewhere becoming rain’. It is, we might suggest, another variation on the poem’s general theme: that of sharing in other people’s lives but catching only a partial glimpse of them, a few frames from the whole film of their lives. Larkin fictionalises this actual journey, and relocates the terminus for his journey to London rather than Loughborough, so that he – and we – end up in the nation’s capital. 20 2. 20 3. | I take further warrant from a critical principle that is more appreciative than formalist, one voiced most memorably by Eliot in "Tradition and the Individual Talent": "No poet, no artist of any art, has his complete meaning alone. 20 4. These were the days when many newlyweds would, after their wedding, get the train down to London, so they could then begin their honeymoons (whether by getting a connecting train in the capital to a south coast resort, or, less likely in the days before cheap package holidays, catching a plane at Heathrow to their honeymoon destination abroad). :). The “breadth” of the wide landscape with no people mentioned mirrors the mostly-empty train, … The poem seems ambivalent. In the 1950s, British tax law made the Whitsun weekend a financially advantageous time to be married. “The Whitsun Weddings” is Larkin’s longest poem and describes the protagonists long, leisurely train journey from Hull to London. Whitsun is the seventh day after marriage. But Cupid’s arrow, that symbol of love, is already morphing into rain, with all its connotations of the everyday drab world we inhabit most of the time. You can read ‘The Whitsun Weddings’ here; what follows are some words of analysis of the poem’s language and meaning. Larkin admits that he had actually mistaken the sounds of merriment from the wedding guests for whoops and other noises from the station porters, and it is only gradually that he comes to realise the pattern of wedding parties at each railway station. It was a commercial success, by the standards of poetry publication, with the first 4,000 copies being sold within two months. Larkinian poems … Though this poem is about weddings, its mood is less than celebratory, and the approach is a realistic and impersonal at a cultural phenomenon of a popular wedding weekend. Larkin, therefore, commercializes marriage as an institution here, by adopting the specific title. After all, the marriage, or perhaps more specifically the consummation of the marriage on the wedding night, is ‘a religious wounding’. True he does talk about women as objects but only because he wishes he could as this wo This may be high poetry, but it’s not far removed from a Peter Kay stand-up comedy routine about the types of people we all recognise from weddings. The new knowledge contradicts his previous attitude towards marriage, it results in a kind of irony which affects the poet himself, therefore, the poem becomes self ironic. Therefore, his description of physical appearances of those couples and their relatives is full of mockery. He describes a leisurely hot day on a lonely, “three-quarters-empty” train and begins to detail the sights the train passes by, such as a dock and a river. The poem on the surface level is a description of these experiences of … A United States edition appeared some seven months later. The happiness of marriage cannot last forever according to him. Similarly, the reference to ‘someone running up to bowl’, viewed from the window of the passing train, captures something which many of us have witnessed but haven’t necessarily taken much notice of. The description can be contrasted to the description of the landscape. The Whitsun Weddings is a collection of 32 poems by Philip Larkin. Critical appreciation of a poem is defined as the critical reading of a poem. This detail underscores the sense that, for all of these people getting married on this Saturday, this Whitsun weekend is a unique, once-in-a-lifetime experience. for an interpretation of "The Whitsun Weddings" that takes ac-count of its distinctive formal context. The poem may be Larkin’s best. The poem concludes with the train arriving at its destination in London. In the first and the second stanza, the poet describes his past experiences when he was traveling in a train. (Are those arrows, and that falling rain, even a veiled allusion to what will happen on the wedding night?). Via Simon K on Flickr (share-alike licence). None of his students ever opted for that particular adverb: ‘uniquely’, as Wood puts it, is unique. An analysis of the terms Larkin uses in reference to marriage reveals some scepticism on Larkin’s part: the guests wave goodbye to the departing train as if bidding farewell to ‘something that survived’ the wedding service itself (‘survived’ suggesting perhaps another of Larkin’s great meditations on love, ‘An Arundel Tomb’). The wedding is referred to as ‘a happy funeral’, as if weddings and funerals share more than simply their status as religious ceremonies: the wedding, too, is a farewell ceremony. The implication is that, although a marriage is a happy event, it carries within the seeds of the death of happiness which is bound to occur in the course of time. The chosen poem is A Study of Reading Habits, by Philip Larkin from his collection The Whitsun Weddings (1964). How does he make a poem about … In these lines the poet expresses his realization of importance of marriage. The Whitsun Weddings (poem) Last updated November 23, 2019 "The Whitsun Weddings" is one of the best known poems by British poet Philip Larkin.It was written and rewritten and finally published in the 1964 collection of poems, also called The Whitsun Weddings.It is one of three poems that Larkin wrote about train journeys. Critical Appreciation of a Study Of Reading Habits The chosen poem is A Study of Reading Habits, by Philip Larkin from his collection The Whitsun Weddings (1964). Discuss the ‘significance of the title of the poem ‘The Second Coming’. Whitsun, or Whit Sunday, is the seventh Sunday after Easter. If you’d like to read more of Larkin’s work, we recommend The Complete Poems of Philip Larkin. ‘ I had, alongside the poem, the Longman Critical Essays in which John Saunders takes a look at beauty and truth in three poems from The Whitsun Weddings. The Whitsun Weddings (poem): | "|The Whitsun Weddings|", read here[1] by Larkin himself, is one of the best known poems ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Philip Larkin demonstrates the use of “piquant mixture of lyricism and discontent” through his poetic explorations in Here and The Whitsun Weddings. A fine conjectural précis of an outstanding example of the craft, I love reading analyses of literature, so I’m certainly glad I found your blog! This image is troubling, and resists any easy or glib analysis. The poem begins with reference to ‘sunlit Saturday’; it ends, right on its last word, with ‘rain’. There was a footnote referring the reader to an Otter Memorial Paper entitled ‘An Arundel Tomb’, by Dr. Paul Foster of West Sussex Institute of Higher Education. 1. Discuss the poetic technique in the poem ‘The Thought-Fox’. The Whitsun weddings is a judgemental and satirical poem following the train journey of the first person-speaker. ‘Sun’ is present, by chance, in the poem’s very title, ‘The Whitsun Weddings’. Both pieces were published in 1964 as a collection of poems collectively titled ‘The Whitsun Weddings’. His early poems shows the influence of W.B.Yeats . Newly wed couples board at each station. The description of their physical experiences with the words and phrases like “pomaded girls”, parodies of fashion” suggest that they are from the lower economic class. In these lines “arrow, showers” and “rain” relate marriage to fertility and to the continuity of life. With eight stanzas of ten lines each, rhyming like Keatsian odes but just the opposite in mood and temperament, “The Whitsun Weddings” is also probably Larkin’s longest poetical work, and the most acclaimed by critics as well. The day is a Whitsun Day on which the British Government frees marriage taxes for one day. The students would have to guess what the missing word is. However, one common factor that connects the majority of his work in this collection is Larkin’s seemingly contradictory attitude towards women. But this is all he is talking about, in these poems he would be most discriminated for, yet all he is thinking about is his own feelings and thoughts, not about the women’s at all, so i don’t feel that anyone can judge if he sympathises with the women or not as he isn’t taking them into consideration. Therefore the ultimate knowledge about marriage is finally achieved by the poet. Yet this idea of different lives intersecting thanks to the coincidence of sharing a train one Saturday is preserved in the journey to London described towards the end of the poem. "The Whitsun Weddings" is one of the best known poems by British poet Philip Larkin. As with many of Larkin’s poems, the title contains irony, because it contrasts with the text. He thinks about the transition that marriage represents, and the 'frail travelling coincidence' which the passengers share as they journey onward. Philip Larkin describes his stopping-train journey through East Yorkshire … Try to track the tonal shifts in the poem; as you’re attempting to assign moods for certain lines or stanzas, think about how Larkin is creating moodiness through language, line break, and sound. The wedding ceremony itself is over, and these newlyweds’ lives will soon reassert their ordinariness, and this special day will be over (‘the wedding-days / Were coming to an end’). About Us The whitsun weddings. James Wood, in his excellent book How Fiction Works, recalls a teacher friend of his who would give his students Larkin’s poem with key words blacked out. I’m not saying that marriage is a sort of inverted funeral, Larkin’s speaker seems to say, but that it might be viewed like this. In its harmony of change and loss played against the melody of the poem’s wedding narrative, “The Whitsun Weddings” (1958) shows this contradiction to great effect. Write a critical appreciation of the poem ‘Whitsun Weddings’. Privacy and Cookie Policy Bidding farewell to what? |, Copyright © www.bachelorandmaster.com All Rights Reserved. In the phrase ‘A hothouse flashed uniquely’, the teacher blacked out that final word. By virtue of sharing the train journey with them, Larkin catches a residual sense of this feeling of uniqueness, of something special happening. In the first stanza, the speaker situates the poem on Whitsun, or Whit Sunday, the seventh Sunday after Easter and then a popular time for weddings in Britain. The itemising then continues in the ensuing stanzas, but this time it is the members of these wedding parties that draw Larkin’s observant attention: the fathers with their ‘broad belts’, the ‘loud and fat’ mothers, the rather uncouth uncle who is ‘shouting smut’. The poem The Whitsun Weddings by Philip Larkin is about the poet's journey to London in a train. Whitsun, or Whit Sunday, is the seventh Sunday after Easter (Pentecost), deep into spring, when people often marry. Philip Larkin is a major British poet and typical representative of a new movement in English poetry . The weddings made Each station that we stopped at: sun destroys The interest of what’s happening in the shade, And down the long cool platforms whoops and skirls I took for porters larking with the mails, And went on reading. In each station and platform the poet witnesses the flow of such newly married couples. Whitsun is the seventh Sunday of Easter (a bank holiday) and a time during which it is traditional to get married so as to take advantage of the early summer bank holiday. Philip Larkin was what was known as a poet of the Movement. Discuss the ‘significance of the title of the poem ‘The Second Coming’. This time he realizes marriage to fertility (“the arrow shower” and “rain”) and thus to the continuity of the human race. His poetry and poems, such as ‘The Whitsun Weddings’, was written in such a way that it reflected the lack of importance of Britain in a post-war world, and also echoed the changes that Britain was going through. The poem suddenly becomes ironic because his realization contradicts his previous attitude towards marriage. It is partly the enigmatic and ambiguous nature of the images and tone of the poem which make the poem so richly complex, however we prefer to interpret its ‘message’. 20 2. We never see what happens to that cricket ball, and we never learn what happens to all of those marriages after the wedding day. It is one of three poems that Larkin wrote about train journeys. But the poem is a little more cagey than this. The Whitsun Weddings, Philip Larkin. 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